Aerial Video & Real Estate
A coastline. A property. A project taking shape. Aerial footage gives the wider view; the edit gives it a reason to be there.
Projects in English & Spanish.
Wide views, movement and detail establish a location, then bring the viewer closer to its character.
More than the wide shot
A strong location film moves between scale and detail. We look at what the footage can say, how it connects to ground-level material and where the edit needs room to breathe.
Give the viewer their bearings.
Find the details that matter.
Bring the place back to the purpose.
Ways to work with the footage
One project or a set of connected pieces. The deliverables, versions and review rounds are agreed before work starts.
Turn an existing collection of aerial clips into a coherent film with a deliberate opening, progression and close.
For a location introduction or a standalone aerial film.
Bring supplied aerial and ground-level footage together so the viewer sees both the setting and the details.
For property, hospitality and place-based presentations.
Create a purposeful opening, transition or location sequence that fits the style of an existing production.
For a brand film, project update or longer presentation.
A simple working process
A useful brief, a shared direction and clear points to review the work.
Share a sample, the location and the intended use. We discuss footage quality, permissions, missing material and whether the available shots support the idea.
Agree the main story, runtime and visual direction. The edit is shaped around the strongest usable footage.
Review the sequence, titles and sound, then finish the agreed versions for their intended destinations.
Before we begin
Tell us the location, timing, intended shots and whether you already have a local operator. Capture requirements and feasibility need a separate conversation before any commitment.
Yes. Share a sample and describe the footage, its approximate length and the finished film you have in mind. That review helps establish what is workable and what the edit needs.
An on-location drone shoot is not included by default. If new capture is needed, the location, operator, timing, permissions and practical requirements must be discussed and scoped separately.
Yes. Supplied interviews, ground-level footage, stills, titles and presentation material can be considered as part of the story. We agree what is included before editing begins.
Send sample footage, its approximate total duration, the location, intended use, desired runtime and target date. Include any format requirements and a budget range if you have one.
Your next project
Share a sample of your footage, where the film will be used and what viewers should take away. If capture is still being planned, say so in the brief.
